Arequipa's Mestizo Baroque: Churches of Sillar Stone
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Arequipa's Mestizo Baroque: Churches of Sillar Stone

Arequipa's colonial churches — built from white sillar volcanic stone by indigenous artisans incorporating their own symbolic vocabulary — created the 'mestizo baroque' style: a unique blend of Spanish baroque and Andean cosmology

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    Mestizo Baroque Style

    The Mestizo Baroque in Arequipa is an art historical phenomenon - the indigenous stonemasons who built the colonial churches incorporated Andean motifs (sirens, suns, jungle animals) into Spanish Baroque decoration systems; the result is a distinct peruvian style not found anywhere in europe

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    La Compañía Jesuit Church

    La Compañía - the Jesuit church in the Plaza de Armas - has the most elaborate mestizo baroque facade in Arequipa; the carved stone portal, completely covered in intricate relief carving, combined classical columns with Andean vegetation motifs in a tour de force of stone carving

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    Arequipa Cathedral

    The Arequipa Cathedral – 200 meters wide, the widest church facade in Peru – was rebuilt after the 1868 earthquake; the neoclassical twin tower facade in white sill dominates the square; the interior has a Belgian organ, French stained glass and an Italian altarpiece

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    Church of San Francisco

    The Iglesia de San Francisco - with its rough-hewn herringbone exterior - has a more austere style than the Jesuit church; the monastery's cloisters have murals depicting Franciscan history and the simple white stone nave has a devotional quality that the more ornate churches lack

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    Santo Domingo Church

    Santo Domingo – rebuilt after several earthquakes – has a distinctive carved portal that incorporates indigenous faces and Andean animals into the biblical story; Portal's indigenous commentary on Christian history is a subtle handling of cultural resistance set permanently in stone

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    Earthquake History

    Arequipa has suffered major earthquakes - 1582, 1604, 1784, 1868 and 2001 - each of which has required the rebuilding of the colonial churches; the resilience of the ashlar stone construction (which cracks rather than collapses in earthquakes) has enabled the historic center's survival through several disasters

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